LeOak Experience is an experimental sound project conceived by Leo Carvalho, in which he explores the guitar in a free, intuitive style, deeply influenced by blues-driven tones and textures — and touches of insane, sloppy experimentation.
In the creative process, Leo Carvalho simply plugs in and begins to play, letting the music emerge naturally. He records the guitar lines as they come — without a premeditated idea or composed structure — sometimes driven by inspiration, sometimes by pure instinct. Each part is captured in a single, first take. Later, additional guitar layers may be added to enrich the soundscape.
Leo Carvalho builds each piece from previously recorded guitar lines — and, at times, bass guitar lines — which serve as the structural backbone of the song. He then turns to AI-powered tools, such as Moises, as a virtual musical partner. Using the guitar lines as a foundation, he selects drums and bass styles and generates the accompanying parts — much like session musicians would.
Once created, all lines are combined using free audio software like Audacity, without undergoing professional mixing and mastering. Ultimately, the original songs are distributed through independent platforms such as SoundOn, reaching digital music streaming services including Spotify.
For a full comprehention of LeOak Experience Project, two essential points stand at the heart of this initiative and call for honest consideration.
First — Why does Leo Carvalho choose to record this way?
Actually, he has no much time to play the guitar. He has a full-time job as a professor, two “cheeky” kids, and a “furious” wife. So, he would play the guitar and record the track as it first came to him. There is no warm-up, no planned idea, no composition. He simply follows the feeling in the moment. This is exactly why the albums were truly experimental from scratch, showcasing raw, unpolished ideas.
Second — Why does Leo Carvalho use AI tools as a musical partner?
He would cite the same reasons as in the previous answer. Additionally, since he lives in a small town where it is rare to find musicians who are interested in his sound, it was AI tools that made this project possible. Moreover, he interprets AI tools as serving a role similar to that of session musicians in a musical project led by a primary artist. It is not the same, but it is the best possible option for him.
All in all, LeOak Experience Project can be seen as the realization of a long-held dream — one made possible, in large part, by the emergence of AI tools. Leo Carvalho believes that when these technologies are used as supportive instruments rather than as the driving creative force, the human artist preserves the song’s creative identity. In this sense, the authorship remains deeply human, and the result can truly be considered real music.
So, please, use AI tools as a musical partner but don’t let them steal your creativity.
LeOak Experience 